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- The Best Crime Books of the Year (So Far).
As any serious writer knows, rules are there to be broken. No artist wants to be bound, or dictated to. Or, of course, character. Readers, and viewers, like to be engaged, excited even. Writing something entertaining has an attraction, maybe missed by those who believe that if something is wildly popular it is less culturally worthy or intellectually challenging.
The Best Crime Books of the Year (So Far) | CrimeReads
Crime fiction has always been broad, with current parallels. Effectively, crime fiction split, taking a tidy, restorative Christie, or unruly, apocalyptic Cain path. William Faulkner compared Georges Simenon to Chekhov. WH Auden adored Christie and Sayers. While the essence of writing crime fiction might come down to speed and fluency, crafting and control are vital.
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A crime novel that works is as taut as a drum. Approaching the right idea and themes seems to depend as much on prescience as talent.
One of their main appeals is the fact that they make you feel uncomfortable; that they invade your headspace, adding drama, fear and anxiety. They sweep you away from the everyday. They heighten your senses, and they surprise, not least because they are tackling a world we thought we knew intimately. It could still, however, look far wider.
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Film and TV adaptations might travel further and faster than the book, but the fundamental concept of crime drama is the same: life and death. She had planned on never living there again. The truth will come out, somehow, and Marianne has to prepare for it. But did she really fall? Also there are two cats named Desk and Lampshade and they are very good cats.
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Those two alone make for a great read plus, you know, all the assassins and stuff. Transgressions ensue, as Rick begins to penetrate a new social strata and sees a hidden, monied Los Angeles kept well-hidden from most eyes. Revoyr is a subtle observer of human foibles and social structures alike, and the result is one of the most insightful, and the most entertaining books of the year.
In this follow-up, Lives Laid Away , August Snow is the only man who knows Mexicantown well enough to investigate a human trafficking ring taking advantage of ICE raids. This is noir as it was meant to be: incisive, socially conscious, distinctly situated, told with style.
For fans of private eyes and classic detective fiction, the emergence of Jones as a major voice in crime fiction is one of the most heartening developments in years, with much more to come. Medearis is a novelist of real energy and ambition, and Restoration Heights is the kind of biting social critique that crime fiction has always excelled at and made necessary. In Big Sky , Brodie has relocated to a seaside community looking for some relative peace, but after he takes on a run-of-the-mill stray husband case, his new life takes a sinister turn, old nemeses materialize, and a human trafficking ring comes into focus.
Atkinson is one of the most gifted storytellers at work in crime fiction today, and Big Sky is a worthy addition to her PI canon.
Beautiful Bad is an unusually structured and resonant psychological thriller, playing clever games with time, place, and point of view. At the center of the book is Maddie, a sometime expat now living with her husband, Ian, and their son, Charlie, in suburban Kansas.
When the story begins, however, Maddie is teaching English in Bulgaria, while her best friend, Jo, is doing relief work in the small country next door, Macedonia. A no name painter literally, she has no name has been working for years on seven billboard sized paintings for her first solo show.
When her illegal Manhattan loft burns down, she faces the formidable task of recreating the paintings somehow in three months. With nowhere to live and a lot of work to do, she lucks into a residency at Pine City in upstate New York.
Miriam Toews comes from a Mennonite background herself and felt a need to reckon with her own past and the patriarchal institutions of Mennonite society after learning of the terrible happenings in a Mennonite village in Bolivia, where over a women and girls were raped over a substantial period of time by a group of men using livestock tranquilizers to knock out their nightly targets. In Women Talking , based on this real life story, Toews puts us in the center of a meeting of Mennonite women. They have two days before the men in the village return from bailing out their arrested attackers, and they must decide whether they will fight, flee, or do nothing.
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